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Drawing Lessons from the Great Masters
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A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.Faithfully producing and methodically analyzing 100 master drawings—including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others—Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.
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Product details
Paperback: 272 pages
Publisher: Watson-Guptill; First Paperback edition (August 1, 1989)
Language: English
ISBN-10: 0823014010
ISBN-13: 978-0823014019
Product Dimensions:
8.2 x 0.8 x 10.8 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
78 customer reviews
Amazon Best Sellers Rank:
#169,396 in Books (See Top 100 in Books)
Before anything it should be said I was living in italy when I got this book. I was traveling alot and visiting all the like major museums in Europe.and I'm also a sketch artist, and I was transitioning from do cartoons and comics. and moving on to realism. this book brought it all together it kinda feel on my lap at the right time in my life. I think I found it on one of those top ten book all artist should read or something.I don't think its for everyone. sorta depends what your into. alot of artist aren't looking at the classics stuff cause they think it's boring or just not their thing. I was kinda of the same way. but living in italy changed that. this book look at the sketches of the masters, it's not only like a master study if you choose really sit and copy some of the drawings and study the sketches.but these are the underpainting, the sketch studies, and the random sketches of some of the best painters and sculptors. it like seeing their thinking, there planing. you see how they got it wrong some times and keep at it. these are loose and no one was meant to really see them at the time they were created. this is like an artist today printing a book of sketches and picking and choosing his/her best work. if that what you looking for you'd be disappointed. cause it's more like someone publishing your diary.mostly pictures you can find alot of these on the net. but if your gonna study these really. it's best to have in print instead of a screen. and it all in one place and you don't have to worry about resolution.I really liked it but thats me. not for everyone though. like everything else it kinda depends on you and open you are and what you are look for.
I am undecided about this book. Upon second look, I see some value but there is some 'buts':It describes old masters paintings how they arrived with the shapes using geometrical shapes - such as column, egg, cylinder, block - using shade etc etc. Problem is: while the painting of chosen master takes the whole page (good thing)- explanations of where to look at on it are a tiny copies of the paining with capital letter on it to point out where to look. For example there is a letter B and note that that part of the body is egg shaped. All good but I do not see the egg shape ? would be nice if it was drawn on the tiny copy of the paining to be sure which way the egg is shaped and where exactly is it. Some letters cannot be found because they blend with the tiny drawing, they are small and fuzzy. The concept of the book is good, examining paintings of old masters and noting how they did it, but execution of this book is poor.(My book was packed very sloppy and arrived with bend corner which I find very annoying. My drawing books are my little treasures. I was very surprised that Amazon would be so sloppy - it came from them)
Careful! This print version has missing pages. Got this for a class and everyone was missing chunks of pages for the homework questions. Still a great book though
Drawing Lessons From the Great Masters is an art book that teaches by looking at the art fundamentals used by great art masters themselves -- Michelangelo, Leonardo Da Vinci, Rodin, Goya, Rembrandt, among others.There are 100 master drawings analysed by Robert Beverly Hale on the fundamentals such as line, light and planes, mass, position and thrust, and anatomy. These are all figure drawings. Each illustration is printed full on one page with a certain section selected for analyzing on the next. The commentary is simple and concise, providing great insight to what these artists were thinking. Many of these pieces are really sketches but when you realised the thought put behind every stroke and what the artist was trying to show, you'll instantly be enlightened.At the end of this book, even if you can't draw yet, you'll be able to identify the difference between a good and bad drawing. And when you draw, you'll remember the principles.This is a really useful and inspirational reference book, great for beginner to advanced artists.Robert Beverly Hale has also authored Anatomy Lessons From The Great Masters, which uses the same teaching style here but focusing on anatomy drawings.(More pictures are available on my blog. Just visit my Amazon profile for the link.)
This beautiful book, recommended by my drawing class professor, is more than just a compilation of drawings for study. The analysis is very instructive for someone who is making an intense effort to learn how to draw, as I am.
Robert Beverly Hale's drawing books are some of the first one I go to on my shelf when looking for drawing advice. Drawing Lessons from the Great Masters is terrific book to get a handle on the mental aspects of drawing.This book is a little more generic than his others, focusing more on a general approach to drawing and a very basic overview of anatomy.The primary truth Hale mentions that many students fail to realize and some other drawing books skip over is that drawings aren't supposed to be a copy of real life. They're just symbolic depictions of life.If a limb needs to be moved to make a better drawing, or if the entire lighting plan needs to be redone in your head, do it. The model is just the initial suggestion on which to base a drawing.Where Hale's books shine is that he uses old master drawings for his examples. Basic art concepts such as conceiving body forms as basic geometric shapes to help control and simplify details are much easier to understand when you can see it in a Rubens or DaVinci drawing.I will admit that some of his advice (like buying bones to study anatomy) may sound a tad odd. But you should remember that this book is 20 years old and draws on teaching experience for 30+ years before that. However, other than that the lessons in this book are just as important and relevant now and when they were first written.I have a ton of drawing books, (almost literally) but this and Robert Beverly Hale's other books are some of my favorites.
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